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A critical perspective on what cognitive science can tell us about first impressions and stereotypes – Dr Lou Safra

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Manage episode 364661556 series 3327627
内容由Skeptics in the Pub Online提供。所有播客内容(包括剧集、图形和播客描述)均由 Skeptics in the Pub Online 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

In this talk, I will present the key findings on first impressions and stereotypes offered by cognitive science. By presenting the main experimental designs that are used to product these results, I will question the limits and issues of this research and discuss how we can ensure a safe use of these results

Lou Safra holds a PhD in cognitive science awarded by the Ecole Normale Supérieure, Paris in 2017. She is currently assistant professor in political psychology at CEVIPOF-Sciences Po and an associate researcher at the Institut d’Études Cognitives (Laboratoire de Neurosciences Cognitives & Laboratoire de Neurosciences Cognitives et Computationelles, École Normale Supérieure, Paris).

The music used in this episode is by Thula Borah and is used with permission.

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Manage episode 364661556 series 3327627
内容由Skeptics in the Pub Online提供。所有播客内容(包括剧集、图形和播客描述)均由 Skeptics in the Pub Online 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

In this talk, I will present the key findings on first impressions and stereotypes offered by cognitive science. By presenting the main experimental designs that are used to product these results, I will question the limits and issues of this research and discuss how we can ensure a safe use of these results

Lou Safra holds a PhD in cognitive science awarded by the Ecole Normale Supérieure, Paris in 2017. She is currently assistant professor in political psychology at CEVIPOF-Sciences Po and an associate researcher at the Institut d’Études Cognitives (Laboratoire de Neurosciences Cognitives & Laboratoire de Neurosciences Cognitives et Computationelles, École Normale Supérieure, Paris).

The music used in this episode is by Thula Borah and is used with permission.

  continue reading

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