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Danielle DePalma - talking live sound, concert management, and representation

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Manage episode 366965836 series 3350593
内容由Earmark Hearing Conservation提供。所有播客内容(包括剧集、图形和播客描述)均由 Earmark Hearing Conservation 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Danielle DePalma is a world-class mixing engineer, the production manager of the legendary Bowery Ballroom in NYC, and a dear friend. She's toured with, recorded, mixed, and produced concerts for practically everyone you can name so it was tough to pick only a few, but in this episode we focus on the music of past and current collaborators Mercy Bell, Sharon Van Etten, Hailey Wojcik, Field Mouse, Christina Picciano, and Emily King. Danielle also pens eye-opening articles on concert management and production on SoundGirls.org, and we get into the important conversation of representation in the music industry. Her attitude toward prioritizing personal well-being extends beyond herself and benefits the artists she works well and the concert-goers who have the good fortune of experiencing one of her productions. You can read more about Danielle and her time at Purchase College (which we somehow didn't touch on in our brief interview) in Women in Sound, written by Madeleine Campbell.

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33集单集

Artwork
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Manage episode 366965836 series 3350593
内容由Earmark Hearing Conservation提供。所有播客内容(包括剧集、图形和播客描述)均由 Earmark Hearing Conservation 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Danielle DePalma is a world-class mixing engineer, the production manager of the legendary Bowery Ballroom in NYC, and a dear friend. She's toured with, recorded, mixed, and produced concerts for practically everyone you can name so it was tough to pick only a few, but in this episode we focus on the music of past and current collaborators Mercy Bell, Sharon Van Etten, Hailey Wojcik, Field Mouse, Christina Picciano, and Emily King. Danielle also pens eye-opening articles on concert management and production on SoundGirls.org, and we get into the important conversation of representation in the music industry. Her attitude toward prioritizing personal well-being extends beyond herself and benefits the artists she works well and the concert-goers who have the good fortune of experiencing one of her productions. You can read more about Danielle and her time at Purchase College (which we somehow didn't touch on in our brief interview) in Women in Sound, written by Madeleine Campbell.

  continue reading

33集单集

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