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Jonathan Rosenbaum on his new book, In Dreams Begin Responsibilities

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Manage episode 431496782 series 115441
内容由Film Comment and Film Comment Magazine提供。所有播客内容(包括剧集、图形和播客描述)均由 Film Comment and Film Comment Magazine 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
The guest on this week’s episode will need little introduction to anyone who reads film criticism or follows film culture. Jonathan Rosenbaum, one of the most prolific and respected critics of the last half-century, began his career at publications like Film Comment and Sight and Sound in the ’70s, and later became known for his writing at The Chicago Reader. More recently, he’s gained notice for his website, jonathanrosenbaum.net. He is known for his erudite yet accessible writing, and his championing of international cinema, among other things. No less a figure than Jean-Luc Godard once compared him to Andre Bazin. Jonathan is also the author of numerous books and collections of film writing, the latest of which, In Dreams Begin Responsibilities, has just been published by Hat & Beard Press. He describes the career-spanning, chronologically arranged collection as an autobiography of sorts, opening with his earliest published film review from his college days at Bard, before diverging into his many non-film interests. The collection also includes his writings on jazz and literature, and emphasizes Jonathan’s uniquely syncretic approach to criticism. Jonathan joined FC editors Devika Girish and Clinton Krute via Zoom from his home in Chicago to discuss this new book, his time as Film Comment’s Paris correspondent, his appearance as an extra in a Bresson film, and much, much more.
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Manage episode 431496782 series 115441
内容由Film Comment and Film Comment Magazine提供。所有播客内容(包括剧集、图形和播客描述)均由 Film Comment and Film Comment Magazine 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
The guest on this week’s episode will need little introduction to anyone who reads film criticism or follows film culture. Jonathan Rosenbaum, one of the most prolific and respected critics of the last half-century, began his career at publications like Film Comment and Sight and Sound in the ’70s, and later became known for his writing at The Chicago Reader. More recently, he’s gained notice for his website, jonathanrosenbaum.net. He is known for his erudite yet accessible writing, and his championing of international cinema, among other things. No less a figure than Jean-Luc Godard once compared him to Andre Bazin. Jonathan is also the author of numerous books and collections of film writing, the latest of which, In Dreams Begin Responsibilities, has just been published by Hat & Beard Press. He describes the career-spanning, chronologically arranged collection as an autobiography of sorts, opening with his earliest published film review from his college days at Bard, before diverging into his many non-film interests. The collection also includes his writings on jazz and literature, and emphasizes Jonathan’s uniquely syncretic approach to criticism. Jonathan joined FC editors Devika Girish and Clinton Krute via Zoom from his home in Chicago to discuss this new book, his time as Film Comment’s Paris correspondent, his appearance as an extra in a Bresson film, and much, much more.
  continue reading

511集单集

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