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Death Race 2000 • Member Bonus

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Manage episode 458359208 series 3546402
内容由TruStory FM提供。所有播客内容(包括剧集、图形和播客描述)均由 TruStory FM 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

“A perfect hit! And no pain for the target. Too bad the guy was only 38; just two years older, he'd have been worth three times the points.”
Roger Corman's Vision of a Dystopian Future

In 1974, Roger Corman learned about Norman Jewison's upcoming film Rollerball and decided to capitalize on its publicity by producing his own futuristic sports film. Based on a short story by Ib Melchior inspired by his experiences at the Indianapolis 500, Corman brought on Paul Bartel to direct what would become a satirical commentary on violence in entertainment and totalitarian control. With a budget of just $300,000, Corman assembled a cast including David Carradine and a pre-Rocky Sylvester Stallone to create this violent vision of America's future. Join us – Pete Wright and Andy Nelson – as we continue the Roger Corman series with a conversation about Bartel’s 1975 film Death Race 2000.

Racing Through the Film's Key Points

The film's unique blend of dark comedy and social commentary creates an engaging discussion about its place in both exploitation cinema and political satire. We explore how Corman's influence shaped the film's development, particularly his push to emphasize comedy and include gratuitous elements that became his trademark. The movie's transformation from a serious script to a more satirical piece showcases Corman's understanding of what would appeal to audiences.

Additional Pit Stops in Our Discussion

• The cultural context of car-themed movies in the 1970s and their connection to American car culture
• David Carradine's performance as Frankenstein and whether he was the right choice for the role
• The film's commentary on media manipulation and fan culture
• How the limited budget affected the scale of the cross-country race
• The surprising franchise legacy, including multiple sequels and remakes
• Tak Fujimoto's cinematography and how it enhanced the racing sequences

A Victory Lap Worth Taking

Despite its low budget and exploitation elements, Death Race 2000 succeeds as both entertainment and satire. While some critics initially dismissed it, including Roger Ebert who gave it zero stars before later acknowledging its merits, the film has earned its place as a cult classic. Both hosts thoroughly enjoyed the film, with Andy giving it four stars and Pete giving it three stars with a heart on Letterboxd. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!

Film Sundries

This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.

  continue reading

731集单集

Artwork
icon分享
 
Manage episode 458359208 series 3546402
内容由TruStory FM提供。所有播客内容(包括剧集、图形和播客描述)均由 TruStory FM 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

“A perfect hit! And no pain for the target. Too bad the guy was only 38; just two years older, he'd have been worth three times the points.”
Roger Corman's Vision of a Dystopian Future

In 1974, Roger Corman learned about Norman Jewison's upcoming film Rollerball and decided to capitalize on its publicity by producing his own futuristic sports film. Based on a short story by Ib Melchior inspired by his experiences at the Indianapolis 500, Corman brought on Paul Bartel to direct what would become a satirical commentary on violence in entertainment and totalitarian control. With a budget of just $300,000, Corman assembled a cast including David Carradine and a pre-Rocky Sylvester Stallone to create this violent vision of America's future. Join us – Pete Wright and Andy Nelson – as we continue the Roger Corman series with a conversation about Bartel’s 1975 film Death Race 2000.

Racing Through the Film's Key Points

The film's unique blend of dark comedy and social commentary creates an engaging discussion about its place in both exploitation cinema and political satire. We explore how Corman's influence shaped the film's development, particularly his push to emphasize comedy and include gratuitous elements that became his trademark. The movie's transformation from a serious script to a more satirical piece showcases Corman's understanding of what would appeal to audiences.

Additional Pit Stops in Our Discussion

• The cultural context of car-themed movies in the 1970s and their connection to American car culture
• David Carradine's performance as Frankenstein and whether he was the right choice for the role
• The film's commentary on media manipulation and fan culture
• How the limited budget affected the scale of the cross-country race
• The surprising franchise legacy, including multiple sequels and remakes
• Tak Fujimoto's cinematography and how it enhanced the racing sequences

A Victory Lap Worth Taking

Despite its low budget and exploitation elements, Death Race 2000 succeeds as both entertainment and satire. While some critics initially dismissed it, including Roger Ebert who gave it zero stars before later acknowledging its merits, the film has earned its place as a cult classic. Both hosts thoroughly enjoyed the film, with Andy giving it four stars and Pete giving it three stars with a heart on Letterboxd. We have a great time talking about it, so check it out then tune in. The Next Reel – when the movie ends, our conversation begins!

Film Sundries

This is a member bonus episode. We'd love it if you became a member to support our show, but you’d love it because of everything you get. We have monthly member bonus episodes that only members can access. You also get other monthly member bonus episodes, access to members-only Discord channels, and early releases for every episode. Plus, no ads! And you get to vote on the movies we discuss in our members only episodes! What can we say? It pays to be a member. Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM.

  continue reading

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