In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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内容由Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna提供。所有播客内容（包括剧集、图形和播客描述）均由 Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品，您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
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178 | The Holdovers Writer David Hemingson On Finding Humanity In Our Characters
Manage episode 399934846 series 2856508
内容由Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna提供。所有播客内容（包括剧集、图形和播客描述）均由 Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品，您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
Despite this being his first produced feature, David Hemingson's script for THE HOLDOVERS is one of the most celebrated of the year, nominated for over 40 industry prizes (including the Oscar), having won many of them. He's a self-proclaimed "journeyman" writer having bounced between children's animated, network comedy, and hourlong procedurals for over two decades. Even given his decades of experience, his approach to working with Alexander Payne was still one of humility, openness, and discovery. Today, David, Lorien, and Jeff, discuss how Hemingson's "unsellable" pilot about an all boys prep school became a new American classic.
JOIN OUR PATREON: www.patreon.com/thescreenwritinglife
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Manage episode 399934846 series 2856508
内容由Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna提供。所有播客内容（包括剧集、图形和播客描述）均由 Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品，您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
Despite this being his first produced feature, David Hemingson's script for THE HOLDOVERS is one of the most celebrated of the year, nominated for over 40 industry prizes (including the Oscar), having won many of them. He's a self-proclaimed "journeyman" writer having bounced between children's animated, network comedy, and hourlong procedurals for over two decades. Even given his decades of experience, his approach to working with Alexander Payne was still one of humility, openness, and discovery. Today, David, Lorien, and Jeff, discuss how Hemingson's "unsellable" pilot about an all boys prep school became a new American classic.
JOIN OUR PATREON: www.patreon.com/thescreenwritinglife
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