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内容由Ashley Scott Meyers提供。所有播客内容（包括剧集、图形和播客描述）均由 Ashley Scott Meyers 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品，您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
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SYS 504 – Making A Horror Movie For The Asylum With Jim Towns
Manage episode 378594996 series 1300176
内容由Ashley Scott Meyers提供。所有播客内容（包括剧集、图形和播客描述）均由 Ashley Scott Meyers 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品，您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
This week Ashley Scott Meyers talks with filmmaker Jim Towns. Jim Towns is the Writer/Director of End Times (2023), a post-apocalyptic Horror movie with a great cast including Jamie Bernadette, Craig Stark and Dominique Swain. They talk about how he was able to shoot at a perfect location to fit the End Times story and […]
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Manage episode 378594996 series 1300176
内容由Ashley Scott Meyers提供。所有播客内容（包括剧集、图形和播客描述）均由 Ashley Scott Meyers 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品，您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
This week Ashley Scott Meyers talks with filmmaker Jim Towns. Jim Towns is the Writer/Director of End Times (2023), a post-apocalyptic Horror movie with a great cast including Jamie Bernadette, Craig Stark and Dominique Swain. They talk about how he was able to shoot at a perfect location to fit the End Times story and […]
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类似 The Selling Your Screenplay Podcast 的节目
In The Filmcast, hardcore geeks David Chen, Devindra Hardawar, and Jeff Cannata debate, pontificate, and delve into the latest films, TV shows, and other entertainment-related items from the past week. Weekly guests include everyday bloggers, webmaster luminaries, film directors, and movie stars from all walks of life. You can reach us at slashfilmcast@gmail.com and find more podcast episodes at http://www.thefilmcast.com
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continue reading
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continue reading
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continue reading
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continue reading
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continue reading
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continue reading
The Flop House is a comedy podcast devoted to the worst in recent film. Your hosts (Elliott Kalan, Dan McCoy, and Stuart Wellington) watch a questionable film, then engage in an unscripted discussion about the movie's shortcomings and occasional delights, while never being afraid of a pointless, silly digression or two hundred.
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