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The Track - E020 - Nathan Bugh

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Manage episode 169879417 series 93220
内容由Ryan Swift提供。所有播客内容(包括剧集、图形和播客描述)均由 Ryan Swift 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
This month, I am joined by instructor, performer, and fellow New Yorker, Nathan Bugh.

Most dancers I’ve talked to on the show are professional Lindy Hoppers in the sense that they make their living traveling from city to city as dance instructors. While that description definitely applies to Nathan - he has taught with partners Evita Arce and Gaby Cook around the world - he’s also a professional Lindy Hopper of a different type: one who is regularly hired to perform at corporate and commercial events.

We sat down in New York City at the end of 2016 and talked about his experience performing at those commercial gigs, how his education in music composition at Juilliard does (or doesn’t) influence his approach to Lindy Hop, and weighed the relevance of vintage jazz dance in modern popular culture.

Nathan also explained why his unconventional approach to class structure may not necessarily be the best business model, what he means when he refers to the "academic Lindy Hop community,” and how the hot trend of “Gastby” entertainment at commercial dance gigs is in some ways more “real” than what’s found in the dedicated Lindy Hop community.
  continue reading

56集单集

Artwork
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Manage episode 169879417 series 93220
内容由Ryan Swift提供。所有播客内容(包括剧集、图形和播客描述)均由 Ryan Swift 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
This month, I am joined by instructor, performer, and fellow New Yorker, Nathan Bugh.

Most dancers I’ve talked to on the show are professional Lindy Hoppers in the sense that they make their living traveling from city to city as dance instructors. While that description definitely applies to Nathan - he has taught with partners Evita Arce and Gaby Cook around the world - he’s also a professional Lindy Hopper of a different type: one who is regularly hired to perform at corporate and commercial events.

We sat down in New York City at the end of 2016 and talked about his experience performing at those commercial gigs, how his education in music composition at Juilliard does (or doesn’t) influence his approach to Lindy Hop, and weighed the relevance of vintage jazz dance in modern popular culture.

Nathan also explained why his unconventional approach to class structure may not necessarily be the best business model, what he means when he refers to the "academic Lindy Hop community,” and how the hot trend of “Gastby” entertainment at commercial dance gigs is in some ways more “real” than what’s found in the dedicated Lindy Hop community.
  continue reading

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