19.28: A Close Reading on Character: Internal vs External Identity

Writing Excuses

内容由Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler, Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler提供。所有播客内容（包括剧集、图形和播客描述）均由 Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler, Mary Robinette Kowal, DongWon Song, Erin Roberts, Dan Wells, and Howard Tayler 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品，您可以按照此处概述的流程进行操作https://zh.player.fm/legal。

7M ago 24:24

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Today, we’re focusing on C.L. Clark’s “The Cook,” as we explore external and internal expression. We chose this story because it's a remarkably physical and touchable story with myriad sensory details. While the audience gets very little information about what Clark’s characters are thinking, you can still understand their internal landscapes by what they seee and notice. How do these external indicators help us understand the internal worlds of the characters?

We mention two infographics during the episode– “Intersections of Self (Trauma Points)" and “Axes of Power." These are available on Patreon (they’re posted publicly, so anyone can view them!) Feel free to use them in your own writing, and let us know if you find them helpful!

Thing of the Week: “Bodies” (on Netflix)

Homework: Pick a major character in your story and write two short summaries of the character arc, one using your original motivation and goal, and a second with a different motivation but the same goal.

Liner Notes:

Sandra Tayler's new book, Structuring Life To Support Creativity. Preorder your copy today at sandratayler.com!

And help fund Mary Robinette Kowal’s Silent Spaces, a collection of short stories on Kickstarter here:

https://www.kickstarter.com/projects/mary-robinette/silent-spaces?ref=nav_search&result=project&term=silent%20spaces%20

(Or go to kickstarter.com and type in “Silent Spaces”)

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Credits: Your hosts for this episode were DongWon Song and Erin Roberts. Our guest was Arkady Martine. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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