In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Lipstick on the Rim
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1 Amy Schumer & Brianne Howey on the Importance of Female Friendships, Navigating Hollywood's Double Standards, Sharing Their Birth Stories, and MORE 50:05
This week, in what might be the funniest episode yet, Molly and Emese are joined by co-stars Amy Schumer and Brianne Howey. They get candid about motherhood, career evolution, and their new film, Kinda Pregnant —which unexpectedly led to Amy’s latest health discovery. Amy opens up about how public criticism led her to uncover her Cushing syndrome diagnosis, what it’s like to navigate comedy and Hollywood as a mom, and the importance of sharing birth stories without shame. Brianne shares how becoming a mother has shifted her perspective on work, how Ginny & Georgia ’s Georgia Miller compares to real-life parenting, and the power of female friendships in the industry. We also go behind the scenes of their new Netflix film, Kinda Pregnant —how Molly first got the script, why Amy and Brianne were drawn to the project, and what it means for women today. Plus, they reflect on their early career struggles, the moment they knew they “made it,” and how motherhood has reshaped their ambitions. From career highs to personal challenges, this episode is raw, funny, and packed with insights. Mentioned in the Episode: Kinda Pregnant Ginny & Georgia Meerkat 30 Rock Last Comic Standing Charlie Sheen Roast Inside Amy Schumer Amy Schumer on the Howard Stern Show Trainwreck Life & Beth Expecting Amy 45RPM Clothing Brand A Sony Music Entertainment production. Find more great podcasts from Sony Music Entertainment at sonymusic.com/podcasts and follow us at @sonypodcasts To bring your brand to life in this podcast, email podcastadsales@sonymusic.com Learn more about your ad choices. Visit podcastchoices.com/adchoices…
Episode 88: Movies That Made Us 2
Manage episode 372322748 series 1202802
内容由Cinema in Context提供。所有播客内容(包括剧集、图形和播客描述)均由 Cinema in Context 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
Movies that made William. Jeremy and William discuss the most significant films in William's life in our series of Movies That Made Us. He talks about Who Am I (1998), The Iron Giant (1999), Les Triplettes de Belleville | The Triplets of Belleville (2003), Fantasia (1940), and Back to the Future (1985). If you enjoy our podcast then consider joining our Patreon. Listen to an extended version of this episode, access additional minisode content and have an opportunity to join us for one-on-one discussions about your favourite films. You can find us on Patreon at: patreon.com/CinemaInContext
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114集单集
Manage episode 372322748 series 1202802
内容由Cinema in Context提供。所有播客内容(包括剧集、图形和播客描述)均由 Cinema in Context 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
Movies that made William. Jeremy and William discuss the most significant films in William's life in our series of Movies That Made Us. He talks about Who Am I (1998), The Iron Giant (1999), Les Triplettes de Belleville | The Triplets of Belleville (2003), Fantasia (1940), and Back to the Future (1985). If you enjoy our podcast then consider joining our Patreon. Listen to an extended version of this episode, access additional minisode content and have an opportunity to join us for one-on-one discussions about your favourite films. You can find us on Patreon at: patreon.com/CinemaInContext
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114集单集
所有剧集
×Week-long liaisons. Sarah Watt, Jeremy Downing and William Chen discuss two films about a young sex worker asked to be a date for a week: Anora (2024) and Pretty Woman (1990). We discuss our initial experiences watching the Gary Marshall's Pretty Woman. We praise the film's creation of tropes, archetypes and memorable movie moments. We celebrate the performances, especially Julia Roberts. We talk about the types of romantic comedies like Pretty Woman that made up a lot of our movies back in the 1990s and early 2000s. We shift our discussion to Anora and gush over the quality of the film. We talk about the comedy elements of the film, the improvisation, the production design, makeup, costume design and the prowess of director Sean Baker. We praise the performance of Mikey Madison as Anora and also Yura Borisov as Igor, both up for acting Oscars. We finish our conversation by looking at connections between the two films.…
Minisode: Oscars 2025 by Cinema in Context
Three Paddington films. Sarah Watt, Jeremy Downing and William Chen discuss Paddington (2014), Paddington 2 (2017) and Paddington in Peru (2024) and our general reactions to the films, especially those of us who haven't seen a Paddington film before. We talk about the work of writer and director Paul King, including The Mighty Boosh and Wonka (2023), and praise the work of first-time director Dougal Wilson. We discuss the cast and performances in the films, including the work of Hugh Bonneville, Sally Hawkins, Emily Mortimer, Ben Wishaw, Jessica Hynes, Matt Lucas, Peter Capaldi, Nicole Kidman, Hugh Grant, Olivia Colman, Julie Walters, Michael Gambon, Jim Broadbent, Brendan Gleeson and Noah Taylor. We praise the films' visuals, especially Paddington's animation. This extends into a discussion of live-action, special effects, visual effects and computer generation. We touch on Sonic the Hedgehog 3 (2024), the work of Ray Harryhausen - Jason and the Argonauts (1963) and Clash of the Titans (1981), the original Godzilla (1954), King Kong (1933), Jurassic Park (1993), Lord of the Rings: The Fellowship of the Ring (2001), Star Wars: Episode I - The Phantom Menace (1999), Doctor Who (1963-) and The Thing (1982).…
The best of the year. Sarah Watt, Jeremy Downing and William Chen discuss their film and television highlights of the year, including their biggest surprise, biggest disappointment, wildcard, best television and best films of 2024. Here are the films and television shows we discussed: • Biggest surprise of the year: Migration (William); Kneecap (Sarah); Wicked: Part 1 (Jeremy) • Biggest disappointment of the year: Means Girls (Sarah and Jeremy); The Bear, Season 3 (William) • Wildcard: Alien: Romulus (Jeremy); Grand Theft Hamlet (Sarah); Hundreds of Beavers (William) • Best television: Delicious in Dungeon (William); Hacks, Season 3 (Jeremy); Mr. & Mrs. Smith (Sarah) • Runner-ups to the film of the year: The Substance and Civil War (Jeremy); The Wild Robot and Robot Dreams (William); Origin and American Fiction (Sarah) • Best film of the year: Dune: Part Two (Jeremy); Successor | Zhua wa wa (William); All of Us Strangers (Sarah) Additional shout-outs to Gut Instinct, Rebel Ridge, The Legend of Zelda: Breath of the Wild and Inside Out 2.…
1970s television films. Sarah Watt, Jeremy Downing and William Chen discuss Saturday Night (2024) and Network (1976), films about television in 1975. We begin by discussing our connection and experience watching the television sketch-comedy show Saturday Night Live (1975-present). We discuss the actors' performances in the film, especially in their impersonations of the famous cast members of the original episode: Chevy Chase, John Belushi, Dan Aykroyd and Andy Kaufman. We shift our conversation to Network and how relevant the film still is today. We also praise the performances in Network, including Faye Dunaway, William Holden, Peter Finch, Robert Duvall, Beatrice Straight and Ned Beatty. We compare the two films, especially the costume and production design of both films being similar while being almost 50 years apart.…
Mega-city grand vision films. Sarah Watt, Jeremy Downing and William Chen discuss Megalopolis (2024) and Metropolis (1927), films by Francis Ford Coppola and Fritz Lang. We begin by sharing our experiences watching Metropolis, including the first time watching it and our experience watching it more recently. We talk about the music in Metropolis, how it's drawn from music before it and influenced music after the film. We start our conversation about Megalopolis by questioning the film's logic and figuring out what the film is trying to do. We praise and dissect the work of Aubrey Plaza, Talia Shire and Kathryn Hunter, as well as critique the work of the cast as a whole. We consider the film regarding other films and filmmakers' work, trying to figure out what could have made Megalopolis a better film. We discuss the performances from Metropolis, especially the work of Brigitte Helm. We finish by discussing the themes, ideas and politics of Metropolis and whether it is still relevant to us today.…
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Cinema in Context
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Say their name multiple times. Sarah Watt, Jeremy Downing and William Chen discuss Candyman (1992) and Beetlejuice Beetlejuice (2024), as well as Beetlejuice (1988). We start by sharing our experiences and reactions to watching Candyman, including the key imagery and ideas that stand out. We praise the score from Phillip Glass, the writing work of Clive Barker, the direction and vision from Bernard Rose, and the commendable acting work and charisma of Virginia Madsen and Tony Todd. We then discuss Beetlejuice (1988), with Sarah watching it for the first time for this episode, which then moves into our reactions and experiences to watching Beetlejuice Beetlejuice (2024). We talk about the connections between the two films and how we seem to connect films in more surprising ways than we initially realise. We discuss the wider state of "Legacy-quels" and the repeated trope of the grown-up lead as a sad parent. We talk about the urban and suburban exploration in both films and how it mines the fears of modern-day audiences.…
The Alien franchise. Sarah Watt, Jeremy Downing and William Chen discuss Alien (1979) and Alien: Romulus (2024), as well as Aliens (1986), Alien³ (1992), Alien: Resurrection (1997), Prometheus (2012) and Alien: Covenant (2017). Our conversation dips in and out of all these films, praising and critiquing the work of directors Ridley Scott, Fede Alvarez, James Cameron, David Fincher and Jean-Pierre Jeunet. We praise the performances of Sigourney Weaver, Ian Holm, Bill Paxton, Lance Henriksen, Winona Ryder, Michael Fassbender, Cailee Spaeny, David Johnson and Spike Fearn. We consider the human-android-alien-company relationships throughout all the films, with Ripley, Ash, Bishop, Call, David, Walter, Andy and Rook. We celebrate the production design of the original and new film, and how the latest entry into the franchise harks back to its predecessors. We discuss the lore of the Alien franchise, considering the stages of the titular monster through the queen, egg, face-hugger, chest-burster, xenomorph, "The Newborn" alien hybrid, black goo and now cocoon and "The Offspring". We discuss our predictions of where the Alien franchise might go from here.…
Looking back at 100 months. Sarah Watt, Jeremy Downing and William Chen discuss the last 100 months of Cinema in Context. We reminisce on the beginnings of the podcast, referencing the many people who have contributed along the way. We discuss our top films of the 'new' films we've focused on since 2016. The films we discuss include Thor: Ragnarok (2017) from Episode 20, Mission: Impossible - Fallout (2018) from Episode 29, Everything Everywhere All at Once (2022) from Episode 74, The Salesman (2016) from Episode 13, Parasite (2019) from Episode 42, Turning Red (2022) from Episode 73, Upgrade (2018) from Episode 33, Cats (2019) from Episode 48 and 57, Encanto (2021) from Episode 70, A Quiet Place (2018) from Episode 25, A Star is Born (2018) from Episode 31 and Tenet (2020) from Episode 54. We wrap up our discussion by looking back at the discoveries we have made in our back catalogue selections over the past eight years, our favourite pairings for different episodes and reflecting on the overall positiveness of the experience we have making this podcast.…
Originally from January 2023, Sarah Watt, Jeremy Downing and William Chen discuss the films Avatar: The Way of Water (2022) and Titanic (1997). This additional content covers three key questions: each person's favourite moment from the films, one thing they would change and a third film they would group with these movies.…
George Miller sequels. Special guest Sophie Ricketts joins Jeremy Downing and William Chen to discuss Furiosa: A Mad Max Saga (2024) and Babe: Pig in the City (1998). We begin by discussing our reactions to Babe: Pig in the City, by first considering its predecessor Babe (1995) and then reminiscing the circumstances in which we watched its 1998 sequel. We talk about the darkness in Babe: Pig in the City and whether this film is appropriate for children. We then move on to a discussion about Furiosa: A Mad Max Saga (2024) and immediately discuss it in comparison to Mad Max: Fury Road (2015). We finish by discussing why we think Furiosa is bombing at the box office and our final thoughts on Babe 2, with some last-minute comparisons to Poor Things (2023), La cité des enfants perdus | The City of Lost Children (1995) and Batman Returns (1992).…
War-torn "road trips". Sarah Watt, Jeremy Downing and William Chen discuss Civil War (2024) and Apocalypse Now (1979). We begin by discussing the different versions of Apocalypse Now and our reaction to the different elements in each film. We shift to talk about Civil War and how the film evokes a visceral response and gets the audience thinking. We talk about the connection to Heart of Darkness, the work of Marlon Brando and the ideas present in Apocalypse Now. We commend the work of Kirsten Dunst and Jessie Plemmons in Civil War and their wider careers. We discuss the music in both films, individually and the similarities between the two. We commend the work of Martin Sheen, Robert DuVall and Dennis Hopper in Apocalypse Now. We finish with a conversation about the politics of both films, what they are trying to achieve and how it has been received by the public.…
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Cinema in Context
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Space Opera Sequels. Sarah Watt, Jeremy Downing and William Chen begin by discussing our reactions to Dune: Part Two, how it compares our perspectives of Part One and how the films connect to the source text. We talk about our opinions and connections to The Empire Strikes Back (aka Star Wars Episode V), and our experiences watching it growing up. We praise the performances in the films, especially Carrie Fisher, Harrison Ford and Mark Hamill in The Empire Strikes Back, and Timothée Chalamet, Zendaya, Javier Bardem, Rebecca Ferguson and Florence Pugh. We discuss the prowess of George Lucas, Irvin Kershner, Denis Villeneuve, Hans Zimmer and John Williams.…
Unpacking the Academy Awards. Sarah Watt, Jeremy Downing and William Chen discuss the 96th Academy Awards ceremony. We begin by talking about the presentation of the ceremony itself. Our conversation moves to the Best Picture category and we consider Oppenheimer, Zone of Interest, American Fiction and The Holdovers. We discuss the Sound category and the skill of how The Zone of Interest was put together. We move into a conversation about Poor Things, including the performance of Emma Stone, the design elements in the film and the politics of the script. We talk through a range of smaller categories and touch on Maestro, Godzilla Minus One, The Creator, and the performances of Lily Gladstone, Carey Mulligan and Sandra Hüller. We talk about the Screenplay categories, the performances of "I'm Just Ken" and "What Was I Made For", reminisce about previous ceremonies and winners, and finish by discussing the animated and documentary categories.…
Scandalous love affairs. Sarah Watt, Jeremy Downing and Doug Dillaman discuss May December (2023) and Notes on a Scandal (2006). We begin by hearing each person's reaction to watching or rewatching Notes on a Scandal. We touch on the real case that both films are based on, focused on the relationship between Matu Kay Letouneau and Vili Fualaau. We talk about the performances of Dame Judi Dench, Cate Blanchett, Bill Nighy, Juno Temple, Natalie Portman, Julianne Moore, Charles Melton and Corey Michael Smith. We discuss our reactions, criticisms and praise for Todd Haynes' May December. We begin to explore the ways both stories deal with a fraught subject and whose perspective we focus on. Sarah and Jeremy present their own perspectives from teaching and how they navigate creating and maintaining safe spaces for teenagers. We finish by considering how this story might be told again in the future and whose perspectives need to be highlighted.…
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