Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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THE OPERA DIVA SERIES: Soprano Laquita Mitchell
Manage episode 157299199 series 1217544
内容由Patrick D McCoy提供。所有播客内容(包括剧集、图形和播客描述)均由 Patrick D McCoy 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
The Brooklyn Native, soprano Laquita Mitchell drops in on Patrick D. McCoy, The African American Voice in Classical Music on Monday, February 6, 2012 at Noon. Ms. Mitchell will discuss her upcoming performances with New York City Opera in Verdi's La Traviata.
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81集单集
Manage episode 157299199 series 1217544
内容由Patrick D McCoy提供。所有播客内容(包括剧集、图形和播客描述)均由 Patrick D McCoy 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
The Brooklyn Native, soprano Laquita Mitchell drops in on Patrick D. McCoy, The African American Voice in Classical Music on Monday, February 6, 2012 at Noon. Ms. Mitchell will discuss her upcoming performances with New York City Opera in Verdi's La Traviata.
…
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81集单集
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×Charles Dean Dixon, conductor, was born January 10, 1915 in New York, New York to West Indian parents Henry Charles Dixon and McClara Rolston Dixon. Dixon’s parents exposed him to classical music at an early age and his mother taught him to play the violin, along with a number of other instruments. By the age of nine he was considered a musical prodigy and performed on local radio stations in New York. Dixon enrolled at Juilliard School of Music in 1932 as a violin major, but soon switched to the music pedagogy program and graduated in 1936. He then enrolled in Columbia University and earned a Master’s Degree in Music Pedagogy there in 1939. While at Julliard Dixon discovered conducting and upon graduating he formed the “Dean Dixon Symphony Orchestra,” the first racially integrated group of its type in New York City. Dixon finally returned to the United States in 1970 after his hugely successful career in Europe and Australia.…
Winner of the 2018 Sir Georg Solti Conducting Award by the U.S Solti Foundation, German based American conductor, Roderick Cox, has been praised as a conductor who is “paving the way” (NBC News) and recognized as a “trailblazer…a conductor who will be amongst the vanguard” (Minnesota StarTribune). Cox has gained international attention for recent appearances with the Los Angeles Philharmonic, Cleveland Orchestra, Houston Grand Opera, and Philharmonia Orchestra (London). Highlights and debuts in the 19/20 season include concerts with Orchestre de Paris, Dresdner Philharmonie, Kristiansand Symfoniorkester, Mannheim Staatsorchester, and Iceland Symphony Orchestra. In the US, Roderick will debut with the New York Philharmonic for the New York Philharmonic’s Young Peoples Concerts Series, the Aspen Music Festival Chamber Orchestra, Richmond Symphony, Phoenix Symphony, Louisville Orchestra, the Sphinx Symphony Orchestra, New Jersey Symphony and San Antonio Symphony. Highlights among recent engagements as a guest conductor include debut subscription concerts with the Los Angeles Philharmonic Orchestra, his opera debut with Houston Grand Opera (Bizet’s Pêcheurs de Perles)as well as further debuts with BBC Symphony, Sinfonia Varsovia (Warsaw), BBC Scottish Symphony and with Philharmonia Orchestra (London) at the Brighton Festival. Further US Summer performances included a debut with the Houston Symphony and re-invitations to The Cleveland Orchestra (Blossom Music Festival) and the Minnesota Orchestra…
American soprano Janice Chandler-Eteme’s astonishing range of concert literature includes Strauss' Four Last Songs (Reading, Baltimore, Syracuse, Harrisburg and Utah Symphonies; Florida Orchestra, Fort Wayne Philharmonic; Grand Teton and Texas Music Festivals); Philip Glass' Passion of Ramakrishna (Pacific Symphony); Mahler's Second Symphony (San Diego, Baltimore, Nashville, Cincinnati, Colorado and Pacific Symphonies; Rome's Santa Cecilia Orchestra); Haydn's Die Schöpfung (Atlanta, Pittsburgh and Cincinnati Symphonies); Mendelssohn’s Lobgesang Symphony (San Diego Symphony), Lokumbe's Dear Mrs. Parks (Detroit Symphony) and Can You Hear God Crying? (Chamber Orchestra of Philadelphia); the Brahms Requiem (San Diego, Baltimore, Colorado Symphonies); Mahler's Eighth Symphony (Milwaukee, Grand Rapids, American and Montreal Symphonies); Beethoven #9 (Cleveland Orchestra, New Jersey and Houston Symphonies), Barber's Knoxville: Summer of 1915 (Festival Miami, Baltimore Symphony), Tippett’s A Child of Our Time (Dallas and Santa Rosa Symphonies) and Britten’s War Requiem (Lincoln and Santa Rosa Symphonies and Evansville Philharmonic). Ms. Chandler-Eteme first came to international prominence as a favorite of Robert Shaw.…
Praised for his "commanding stage presence" and "rich, resonant bass," Kenneth Kellogg is quickly gaining recognition as a sought after young artist. Born and raised in Washington, D.C, music has been a part of his life since grade school. Nurtured in the public school system by amazing music teachers, he participated in choirs throughout the city and began formal training at the Duke Ellington School of the Performing and Visual Arts as a Vocal and Visual Arts student. Among his roles, many are staples of opera repertoire: The title role, in Mozart’s Don Giovanni, as well as Leporello and Il Commendatore, Mephistopheles in Gounod’s Faust, Don Alfonso in Mozart’s Cosi fan tutte, Ramfis and Il Re in Verdi’s Aida, Colline in Puccini’s La Boheme, the title role of Handel’s Hercules, The King in Handel’s Ariodante, Osmin in Mozart’s Die Entführung aus dem Serail, Sarastro and the Speaker in Mozart’s Die Zauberflöte, Sparafucile in Verdi’s Rigoletto, Fasolt in Wagner’s Das Rheingold. He led the cast in the west coast premier of Terence Blanchard’s Champion: An Opera in Jazz, as the champion boxer, Young Emile Griffith, to rave reviews with Opera Parallele. He in an Alumnus of the Adler Fellowship Program at San Francisco Opera and the Caftriz Young Artist Program at Washington National Opera. He also trained at the Academy of Vocal Arts, Wolf Trap Opera and holds degrees from the University of Michigan and Ohio University.…
Kenneth Overton is lauded for blending his opulent baritone with magnetic and varied portrayals that seemingly “emanate from deep within body and soul.” Raised in Philadelphia, Kenneth Overton’s symphonious baritone voicehas sent him around the globe. Kenneth is one of the most sought after Opera singers of his generation, and successfully started his season with a return to The New York City Opera performing the role of Jake Wallace in Puccini's La Fanciulla del West . Shortly thereafter, he returned to the San Francisco Opera in "the most eagerly anticipated new opera of the season" (The New York Times, 2017); the world premier of John Adams’The Girls of the Golden West, as the cover for the role of Ned Peters. Additionally, Kenneth thrived in his Hungarian debut as Porgy in the Margaret Island Open Air Theatre’s production of Porgy and Bess where he was heralded as one of “America’s most renowned Opera singers”.…
Damien Sneed is a multi-genre recording artist and a 2014 recipient of the prestigious Sphinx Medal of Excellence honor, which is presented annually to emerging Black and Latino leaders in classical music, Sneed has also garnered attention in a wide range of other musical genres, including jazz, gospel, pop, R&B and musical theatre. He has already been featured in the New York Times multiple times for his work in various genres. A pianist, organist, conductor, composer, producer, arranger, vocal coach, professor and arts educator. Today, he joins us to chat about his career and esteemed collaborations with the late soprano Jessye Norman.…
A Test Show to troubleshoot a broadcast utilizing Facebook live, Zoom and Blogtalk Radio
Todays guest is an important voice in the world of classical music. Currently the Chief Classical Music Critic for The Washington Post, Anne Midgette is a graduate of Yale University. Over her career, she has reviewed opera, music, and art throughout Europe for The Wall Street Journal, Opera News, and other publications. Returning to the United States, she became the first woman to review classical music for The New York Times on a regular basis in 2001. She continued as a classical music critic, theater critic, and arts writer for the newspaper from 2001 to 2007. In 2008, Midgette landed at The Washington Post as the newspaper's chief classical music critic. In this episode, Midgette reflects on her career as music critic and her decision to leave her position at The Washington Post and her plans for the future.…
Soprano Lisette Oropesa was recently named as the winner of the 2019 Richard Tucker Award. She stars in major productions around the world and has garnered acclaim in several prestigious debuts including in the title role of Lucia di Lammermoor at the Teatro Real Madrid and Royal Opera House. Past winners include such luminaries as Stephanie Blythe, Lawrence Brownlee, Joyce DiDonato, Renée Fleming, Christine Goerke, Matthew Polenzani, and Deborah Voigt. Oropesa was inducted into this who’s who of American opera at the foundation’s annual gala on Sunday, October 27, at Carnegie Hall. She chats with host Patrick D. McCoy about her career, winning the award and her upcoming appearance in DC with Washington Concert Opera in their performance of "Hamlet" by Ambroise Thomas on Sunday, November 24 at George Washington University's Lisner Auditorium.…
Christopher Bell will lead the Washington Chorus in a performance of Mozart's timeless Requiem at The John F. Kennedy Center for the Performing Arts on November 16. He chats with Across the Arts host Patrick D. McCoy about the performance and his career as a conductor both in the US and abroad.
Internationally acclaimed tenor and opera star Lawrence Brownlee returns to "Across the Arts" with Washington, D.C. based arts columnist Patrick D. McCoy about his upcoming performance with Washington Concert Opera in Rossini's "Zelmira" and his recital under the auspices of Vocal Arts DC. Previously, Brownlee chatted McCoy on THE I TOO SING AMERICA SERIES and was previously featured in Washington Life Magazine's "Perfect Pitch." Named 2017 “Male Singer of the Year” by both the International Opera Awards and Bachtrack, American-born tenor Lawrence Brownlee has been hailed by The Guardian as “one of the world’s leading bel canto stars.”…
Stanley J. Thurston is one of Washington's beloved musical figures. Whether he is standing in front of The Heritage Signature Chorale or on the stage of The Kennedy Center, his demand for excellence shines through. Thurston joins The Maestro Series to discuss his role as founding conductor of The Heritage Signature Chorale and its upcoming concert. The concert will feature Poulenc's "Gloria" and Darin Atwater's "Proclamations." We will also delve into his extensive career as a conductor and perhaps upcoming projects.…
Soprano Kristin Lewis has graced the stages of many of the world’s leading opera houses. Noted for her wellfocused, majestic sound, rich in overtones and possessing a rare blend of piano culture and flourishing emphasis, she has been directed by among the most illustrious conductors. A native of Little Rock, Arkansas/USA, Ms. Lewis grew up in a musical family, and began singing and performing at an early age. She received a Bachelor of Arts degree from the University of Central Arkansas under the guidance of Dr. Martha Antolik and a Masters of Music degree while studying with Kay Paschal and Andrew Wentzel, from the University of Tennessee at Knoxville. Post graduate study was endeavored under the tutelage of Dr. Jonathan Retzlaff, and currently with Carol Byers. A recipient of many honors, Ms. Lewis was awarded the College of Arts and Sciences Divisional Achievement Award for the Visual and Performing Arts from the University of Tennessee at Knoxville in 2015; the Orazio Tosi Prize 2012, given by the Club Lirica Parma, at the birthplace of Giuseppe Verdi, and the Artist of the Year Award by the Savonlinna Opera Festival in 2010. She is a two-time National Finalist of the Metropolitan Opera National Council Competition; a finalist of the “XLVI Concours International de Chant de la Ville de Toulouse”, a winner of the “Internationalen Gesangswettbewerb Ferruccio Tagliavini” and a winner of the “Concorso Internazionale Di Musica Gian Battista Viotti”. Ms. Lewis also won the Opera Prize and the Audience Award in the “Concorso Internationale di Canto Debutto A Merano”. The 2017-18 opera season will feature Ms. Lewis’ house debuts at the Gstaad Menuhin Opera Festival, the Royal Opera House Muscat and Opera Hong Kong in the title role character in Verdi’s Aïda, among numerous others.…
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