Player FM - Internet Radio Done Right
Checked 5y ago
nine 年前已添加!
内容由PJ Mathews提供。所有播客内容(包括剧集、图形和播客描述)均由 PJ Mathews 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
Player FM -播客应用
使用Player FM应用程序离线!
使用Player FM应用程序离线!
Scholarcast 38: 'port-lights/Of a ghost-ship': Thomas Carnduff and the Belfast Shipyards
Manage episode 157811731 series 1233202
内容由PJ Mathews提供。所有播客内容(包括剧集、图形和播客描述)均由 PJ Mathews 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
Belfast, as a city, has come to be represented in recent years by the shadow of its industrial heritage. The Titanic, and the shipyards in which it was built, have become central to the city's attempt to give cultural and economic purchase to its contemporary identity. This lecture uncovers some of the history behind that branding of Belfast. It takes Thomas Carnduff's shipyard poetry, written in the 1920s and 1930s, as a way in which to understand the complexities of labour which underpinned the products of the shipyards and to reconsider the meaning of the shipyards for Belfast today.
…
continue reading
8集单集
Scholarcast 38: 'port-lights/Of a ghost-ship': Thomas Carnduff and the Belfast Shipyards
UCD Scholarcast - Series 7: The Literatures and Cultures of the Irish Sea
Manage episode 157811731 series 1233202
内容由PJ Mathews提供。所有播客内容(包括剧集、图形和播客描述)均由 PJ Mathews 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
Belfast, as a city, has come to be represented in recent years by the shadow of its industrial heritage. The Titanic, and the shipyards in which it was built, have become central to the city's attempt to give cultural and economic purchase to its contemporary identity. This lecture uncovers some of the history behind that branding of Belfast. It takes Thomas Carnduff's shipyard poetry, written in the 1920s and 1930s, as a way in which to understand the complexities of labour which underpinned the products of the shipyards and to reconsider the meaning of the shipyards for Belfast today.
…
continue reading
8集单集
所有剧集
×
1 Scholarcast 39: Giving 'A Tongue to the Sea Cliffs': The Landless Inheritance of W.B. Yeats and Eavan Boland 28:27
Irish literature has often been shaped by its relation to the national through land and the consciousness of land. New perspectives provided by Atlantic studies, however, now allow for new narratives unrelated to land to be put into conversation with older narratives. This lecture examines work by two twentieth-century poets, one early and one late, that offer insight on this.…
Belfast, as a city, has come to be represented in recent years by the shadow of its industrial heritage. The Titanic, and the shipyards in which it was built, have become central to the city's attempt to give cultural and economic purchase to its contemporary identity. This lecture uncovers some of the history behind that branding of Belfast. It takes Thomas Carnduff's shipyard poetry, written in the 1920s and 1930s, as a way in which to understand the complexities of labour which underpinned the products of the shipyards and to reconsider the meaning of the shipyards for Belfast today.…
This lecture is concerned with the mid-twentieth-century Cumbrian poet Norman Nicholson. Far from being a late Lake District poet', Nicholson is chiefly a poet of northern England's Atlantic edge, the Cumbrian coastal strip. Yet his contemplative gaze almost never turns westward. He also refuses to produce a historical narrative of the area: here history is episodic, incoherent. Nor is Nicholson the poet of an `organic community'. He is rather a messianic poet for whom the coastal strip is an absolute boundary and spatial constraint. This forces the mind to think the impossible, vertical transaction, within which the idea of justice is crucial.…

1 Scholarcast 36: Draining the Irish Channel: Identity, Sustainability, and the Politics of Water 50:31
In 1722 an anonymous author styling himself with the degree 'A. M. in Hydrostat' published a proposal in Dublin with the title, Thoughts of a Project for Draining the Irish Channel, a satire on both the South-Sea Bubble and Anglo-Irish politics, as well as a comment on the craze for projects and speculation, scientific advances in hydraulics and circulation, resource management and political arithmetic, and improvement and reclamation. The conceptual leap made in Draining the Irish Channel is that the sea can and should be improved: in other words, done away with. The sea could become not only the medium but the very ground of British colonialism; land could be created from unproductive water; the Irish Sea could literally become a new territory. In practical terms, then, the sea is recast as a geography of natural resources that could potentially be pumped, mined, and diverted using locks and drains, all for the health of the British nation.…
This lecture explores the Holyhead Road as a cultural corridor along which people, books, and ideas move, and is part of a larger project examining infrastructural links as sites of cultural exchange between Britain and Ireland from Swift to Joyce. The lecture begins by following Buck Mulligan's invitation in the opening of Ulysses to 'come and look' at the sea, and at the mailboat crossing from Kingstown to Holyhead. Looking at the sea takes us to questions of boundaries and connections, to the local, national, and global scales of identity and belonging, and to the contested and diverse meanings of routine journeys between Ireland and Britain. The representation of different aspects of this route by Katharine Tynan, W.B. Yeats, Sean O'Casey, Thomas Kinsella, Emyr Humphries and R.S. Thomas highlights the affective dimensions of the crossings and journeys made through Ireland, Wales and England, and suggests the lines of influence, connection, and contest that travel along these transport routes.…
This lecture is an exploration of the archipelagic island imagination of artist, poet and writer Brenda Chamberlain (1912–71) under the rubric of literary cartography. Part of a wider study of the literary text's 'mapmindedness' – the ways in which imaginative writing accomplishes specifically cartographic 'work' – the paper examines Chamberlain's emotional geographies of the Irish Sea, focusing on her fabling autobiographical account of her residence on Bardsey Island (Ynys Enlli), off the Llyn Peninsula, north Wales: Tide-race (1962). Beginning with two suggestive examples of Chamberlain's composite graphic cartography, which plot an imaginative ethnography and gendered 'zoning' of Bardsey, the paper considers the Irish (specifically Syngian) alignments of her representations of the island self. The visual-verbal Tide-race is then brought into focus as a text powerfully invested in the process of mapping island space by means of layered (and knowing) folktale fantasies, troubled by thwarted desire and terror. The Syngian genetics of the work are revealed. At stake is the need Chamberlain felt, mid-century, to carve out her own space as a woman writer on a 'deluding scrap of rock and turf'. More generally, the paper seeks to accomplish a necessary reterritorialisation of Welsh Writing in English.…
The Lecture explores the enduring fascination of the Irish Sea, focusing particularly on the Solway Firth, an area regarded by the nineteenth-century artist, art critic, writer and social reformer, John Ruskin, as second only to the Holy Land in its cultural importance. The ageing Ruskin wrote passionately about the Solway in his autobiography, Praeterita, which pays tribute to the beauty of the coast and its creative legacy, as evident in the work of Walter Scott, J. M. W. Turner and the local Scottish music. The lecture considers the connections between these works and the coast itself, with its changing history, before moving across the Irish Sea to Ciaran Carson's 1989 collection, Belfast Confetti, which includes a poem about Ruskin, Turner and the modern city, 'John Ruskin in Belfast'. Exploration of the dialogue between different writers on either side of the Irish Sea, and on either side of the Solway Firth allows the area to be viewed temporally as well as spatially. It thus offers a new model for reading landscapes and literature, in which geographical and historical aspects are mutually informing. What may appear to be fixed and unchanging is revealed as being subject to successions of developing technology and economic imperatives; but conversely, the longer view encouraged by returning to the same place over the centuries offers a different perspective on the contemporaneous impulse of contextualisation.…
By 1916 the British Empire was at a point of crisis. The beginning of the First World War marked the end of a half-century of expansion in trade and speculation that made the empire a global network for the exchange of capital. Consequently, the foundations of Irish separatism were built in movements antagonistic to world trade. Self-help, folk culture and native language were conceived as late compensation for human losses incurred by the displacement of local resources into the global flow. Irish culture had its own recent and bitter evidence for the decimation of an imperial attachment. The memory of the famine inhabited the same cultural space as the increasing import of traded goods in the second half of the ninteenth century and beginning of the twentieth. So it is that James Joyce's short story 'The Dead' pictures the legacy of hunger through the imagination of a meal. If this first wave of globalization came to an end in Britain with the declaration of war in 1914, it suffered fatal arrest in Ireland in 1916. Reaction to the global empire underpinned the cultural and political movements that fed the rebellion. The Easter Rising was a product of the old order and a siren of the revolutions still to come.…
欢迎使用Player FM
Player FM正在网上搜索高质量的播客,以便您现在享受。它是最好的播客应用程序,适用于安卓、iPhone和网络。注册以跨设备同步订阅。