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Interview with Beautiful Boy Writer/Director Felix van Groeningen

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Manage episode 308481929 series 3013221
内容由Alcohollywood提供。所有播客内容(包括剧集、图形和播客描述)均由 Alcohollywood 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Beautiful Boy is the latest brick in Amazon Studios' foundation of establishing itself as the new Miramax - the home of middlebrow American indies featuring sad white people going about their lives. Sometimes they're great, like Jim Jarmusch's Paterson; other times, well, it's Woody Allen's latest thing or Life Itself. Beautiful Boy is closer to the Paterson end of the spectrum, a handsomely-made actors' showcase telling the real-life story of David (Steve Carell) and Nic Sheff (Timothée Chalamet), a father and son dealing with the latter's addiction to hard drugs, including crystal meth.

Director Felix van Groeningen (Broken Circle Breakdown) presents a handsomely tragic look at drug addiction, Nic's addiction coming in cycles of hope and despair while David tries desperately to save his son, before realizing that maybe that's not his job. While van Groeningen's direction is intriguing, structuring the film around elliptical flashbacks detailing the moments that punctuate Nic's relationship to drugs, the real meat and potatoes is seeing Carell and Chalamet's wounded, authentic performances. Carell's a master at this kind of anguished, darkly comic pathos by now - hell, he's about to do it again in Welcome to Marwen - but Chalamet continues to be one of cinema's greatest new discoveries. As Nic, he displays the kind of deeply felt pain and adolescent ennui of James Dean in his prime, his yearning eyes and squirming vulnerability as he runs through cycles of dependency and hope about drugs. It's not a perfect film by any means, and it certainly wastes fine actresses in Maura Tierney and Amy Ryan, but as a heartfelt two-hander about addiction, it's one to watch.

I actually got the chance to sit down with van Groeningen around the time of opening night for a roundtable discussion with fellow critics Leo Brady of AMovieGuy.com and Lee Shoquist of ChicagoFilm.com - together, we talked about everything from adapting a book from two memoirs and working with such esteemed actors at the top of their game. Take a listen to the On Tap podcast below. (Thanks to our sponsor Overcast as part of the Chicago Podcast Coop!)

  continue reading

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Artwork
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Manage episode 308481929 series 3013221
内容由Alcohollywood提供。所有播客内容(包括剧集、图形和播客描述)均由 Alcohollywood 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Beautiful Boy is the latest brick in Amazon Studios' foundation of establishing itself as the new Miramax - the home of middlebrow American indies featuring sad white people going about their lives. Sometimes they're great, like Jim Jarmusch's Paterson; other times, well, it's Woody Allen's latest thing or Life Itself. Beautiful Boy is closer to the Paterson end of the spectrum, a handsomely-made actors' showcase telling the real-life story of David (Steve Carell) and Nic Sheff (Timothée Chalamet), a father and son dealing with the latter's addiction to hard drugs, including crystal meth.

Director Felix van Groeningen (Broken Circle Breakdown) presents a handsomely tragic look at drug addiction, Nic's addiction coming in cycles of hope and despair while David tries desperately to save his son, before realizing that maybe that's not his job. While van Groeningen's direction is intriguing, structuring the film around elliptical flashbacks detailing the moments that punctuate Nic's relationship to drugs, the real meat and potatoes is seeing Carell and Chalamet's wounded, authentic performances. Carell's a master at this kind of anguished, darkly comic pathos by now - hell, he's about to do it again in Welcome to Marwen - but Chalamet continues to be one of cinema's greatest new discoveries. As Nic, he displays the kind of deeply felt pain and adolescent ennui of James Dean in his prime, his yearning eyes and squirming vulnerability as he runs through cycles of dependency and hope about drugs. It's not a perfect film by any means, and it certainly wastes fine actresses in Maura Tierney and Amy Ryan, but as a heartfelt two-hander about addiction, it's one to watch.

I actually got the chance to sit down with van Groeningen around the time of opening night for a roundtable discussion with fellow critics Leo Brady of AMovieGuy.com and Lee Shoquist of ChicagoFilm.com - together, we talked about everything from adapting a book from two memoirs and working with such esteemed actors at the top of their game. Take a listen to the On Tap podcast below. (Thanks to our sponsor Overcast as part of the Chicago Podcast Coop!)

  continue reading

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