In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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内容由Tom Parish提供。所有播客内容(包括剧集、图形和播客描述)均由 Tom Parish 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
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A Day in the Life of a Hollywood Display Calibrator and the Tools He Uses
Manage episode 120450495 series 63904
内容由Tom Parish提供。所有播客内容(包括剧集、图形和播客描述)均由 Tom Parish 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
If you’re from the Los Angeles area you’ve likely heard of David and his company Avical.com located in Burbank because he is the go-to guy for high-end video post production professionals in that part of the country. If I’m working at production or post house , and I need my most important monitors made as absolutely perfect as they can be made, I call Dave at Avical. What a fascinating clientele he must have and oh the stories that could be told. Let’s see if we can eek a few of those out in our conversations about the state of the art of display calibration for the Hollywood media houses. On a personal note I learned a great deal from Dave during the conversation. I'm keenly interested in display calibration and the impact it has on color correction and color grading. The two key points I was most curious to learn was why does he use SpectraCal's Calman software for display calibration and how does he set gamma. And finally what are his views on the evolution of adoption of the BT.1886 standard in the post production industry. I got my answers! If you want to jump to that section start at 36 minutes and I highly recommend you listen in. There is a useful writeup on the topic here. David has a fascinating job. I wonder if he gets a chance to see movies before we do?
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37集单集
Manage episode 120450495 series 63904
内容由Tom Parish提供。所有播客内容(包括剧集、图形和播客描述)均由 Tom Parish 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
If you’re from the Los Angeles area you’ve likely heard of David and his company Avical.com located in Burbank because he is the go-to guy for high-end video post production professionals in that part of the country. If I’m working at production or post house , and I need my most important monitors made as absolutely perfect as they can be made, I call Dave at Avical. What a fascinating clientele he must have and oh the stories that could be told. Let’s see if we can eek a few of those out in our conversations about the state of the art of display calibration for the Hollywood media houses. On a personal note I learned a great deal from Dave during the conversation. I'm keenly interested in display calibration and the impact it has on color correction and color grading. The two key points I was most curious to learn was why does he use SpectraCal's Calman software for display calibration and how does he set gamma. And finally what are his views on the evolution of adoption of the BT.1886 standard in the post production industry. I got my answers! If you want to jump to that section start at 36 minutes and I highly recommend you listen in. There is a useful writeup on the topic here. David has a fascinating job. I wonder if he gets a chance to see movies before we do?
…
continue reading
37集单集
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