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167 | The Hidden (Mirthful) Face of Christ

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Manage episode 323641785 series 2360554
内容由Duncan Reyburn提供。所有播客内容(包括剧集、图形和播客描述)均由 Duncan Reyburn 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

A recording of a paper delivered during an online conference, Philosophical Theologies in South Africa (hosted by Hugenote Kollege) on 24 March 2022.

Abstract: At the very end of his book Orthodoxy (1908), G. K. Chesterton makes a claim regarding the “pathos” of Christ, which was “natural,” and “almost casual.” However, Chesterton contends that one dimension of Christ’s pathos remained remarkably hidden, namely his “mirth.” The word “mirth” is quite literally the last word of that book. Because we have no record of Jesus laughing in the Gospels, just as we have no idea what he actually looked like, this conclusion is offered as a matter of fancy. It is perhaps not unexpected that Chesterton would say this, though, given his own personality and inclinations. Those familiar with his work will recognise his association with joy and humour. Since Chesterton offers no explicit justification, however, the question remains open as to whether there may be more than a merely subjective reason for it. Perhaps it is possible to account for such a conclusion on a philosophical and theological basis. My aim is to do that in this paper. More particularly, I want to articulate how there is, in Chesterton’s writings—especially exemplified in his novel The Man Who Was Thursday (1907)—a kind of incarnational phenomenology at work that allows him to reconcile other more explicit dimensions of Christ’s pathos with an undisclosed mirthful exuberance.

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Manage episode 323641785 series 2360554
内容由Duncan Reyburn提供。所有播客内容(包括剧集、图形和播客描述)均由 Duncan Reyburn 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

A recording of a paper delivered during an online conference, Philosophical Theologies in South Africa (hosted by Hugenote Kollege) on 24 March 2022.

Abstract: At the very end of his book Orthodoxy (1908), G. K. Chesterton makes a claim regarding the “pathos” of Christ, which was “natural,” and “almost casual.” However, Chesterton contends that one dimension of Christ’s pathos remained remarkably hidden, namely his “mirth.” The word “mirth” is quite literally the last word of that book. Because we have no record of Jesus laughing in the Gospels, just as we have no idea what he actually looked like, this conclusion is offered as a matter of fancy. It is perhaps not unexpected that Chesterton would say this, though, given his own personality and inclinations. Those familiar with his work will recognise his association with joy and humour. Since Chesterton offers no explicit justification, however, the question remains open as to whether there may be more than a merely subjective reason for it. Perhaps it is possible to account for such a conclusion on a philosophical and theological basis. My aim is to do that in this paper. More particularly, I want to articulate how there is, in Chesterton’s writings—especially exemplified in his novel The Man Who Was Thursday (1907)—a kind of incarnational phenomenology at work that allows him to reconcile other more explicit dimensions of Christ’s pathos with an undisclosed mirthful exuberance.

  continue reading

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