In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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内容由Maisie Williams提供。所有播客内容(包括剧集、图形和播客描述)均由 Maisie Williams 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
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Polite Society: the biggest surprise of the year
Manage episode 424346275 series 2928332
内容由Maisie Williams提供。所有播客内容(包括剧集、图形和播客描述)均由 Maisie Williams 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
For film club this week we’re watching Polite Society, last year’s British martial artsaction comedy film from debut feature filmmaker Nida Manzoor.
The setup sees Ria, a London-based Pakistani Muslim girl who dreams of becoming one of Britain’s top stuntwomen. But it;s about so much more than that. It’s genre hopping, it’s a rewarding British comedy, it’s giving Kick Ass, and you know what, it’s different to the other sh*t you see in the cinemas. The film inspires us to reflect on meeting your heroes, co-dependant sisterly relationships and family who are dubious of your dreams.
We agree it has the coolest stunt scenes of recent years, the perfect synergy between the choreography and camerawork being helped by the fact the cinematographer herself has a black belt in karate (OBSESSED). Maisie opens up about her experience filming stunts for Game of Thrones, the stamina and prep needed to make them look convincing, and we discuss the perseverance of stunt people in general.
We cover clever sound design, budget and the 10 year journey of getting the film made. Plus, our confusion/disappointment that it’s had such a small global impact. When it gets onto streamers - we hope you all stream the **** out of it. We think you’ll love it.
A full transcript of this episode can be found here.
Keep up to date with us on Instagram, TikTok, Letterboxd and YouTube: @frankfilmclub
Hosted on Acast. See acast.com/privacy for more information.
67集单集
Manage episode 424346275 series 2928332
内容由Maisie Williams提供。所有播客内容(包括剧集、图形和播客描述)均由 Maisie Williams 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
For film club this week we’re watching Polite Society, last year’s British martial artsaction comedy film from debut feature filmmaker Nida Manzoor.
The setup sees Ria, a London-based Pakistani Muslim girl who dreams of becoming one of Britain’s top stuntwomen. But it;s about so much more than that. It’s genre hopping, it’s a rewarding British comedy, it’s giving Kick Ass, and you know what, it’s different to the other sh*t you see in the cinemas. The film inspires us to reflect on meeting your heroes, co-dependant sisterly relationships and family who are dubious of your dreams.
We agree it has the coolest stunt scenes of recent years, the perfect synergy between the choreography and camerawork being helped by the fact the cinematographer herself has a black belt in karate (OBSESSED). Maisie opens up about her experience filming stunts for Game of Thrones, the stamina and prep needed to make them look convincing, and we discuss the perseverance of stunt people in general.
We cover clever sound design, budget and the 10 year journey of getting the film made. Plus, our confusion/disappointment that it’s had such a small global impact. When it gets onto streamers - we hope you all stream the **** out of it. We think you’ll love it.
A full transcript of this episode can be found here.
Keep up to date with us on Instagram, TikTok, Letterboxd and YouTube: @frankfilmclub
Hosted on Acast. See acast.com/privacy for more information.
67集单集
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