Be Someone Else: Victor Turner and the Subversiveness of Ritual Performance

Judaism for the Thinking Person

The longest parashah of the Torah's is Numbers' Naso, which begins with the theme of the tabernacle of roving ritual performance, like a traveling theater group, and then describes four ritual dramas that take publicly: the financial penitent, the jealous husband, the addict, and the arrogant prince. What do these have in common? Rather than seeing ritual function to impose comformity and social roles, I examine this through the theory of Victor Turner, who posited that rituals actually subvert conventional roles, and in a theatrical way, use fixed theater scrips and actions to subvert them, and you.