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Steven Swarbrick and Jean-Thomas Tremblay, "Negative Life: The Cinema of Extinction" (Northwestern UP, 2024)

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内容由Marshall Poe提供。所有播客内容(包括剧集、图形和播客描述)均由 Marshall Poe 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

In Negative Life: The Cinema of Extinction (Northwestern UP, 2024), Steven Swarbrick and Jean-Thomas Tremblay enact a dialogue between cinema, philosophy, and ecocriticism to tarry with the question of ecological catastrophe. Taking as one of their conceptual points of departure Freud’s writing on negation, the authors elaborate a concept of ‘negative life’ to contest current approaches to ecocriticism predicated upon ideas of entanglement, presence, and connection. In their book, Swarbrick and Tremblay engage critically with a broad body of films—including Kelly Reichardt, Julian Pölsler, Mahesh Mathai, and Paul Schrader—and a range of conceptual paradigms (from antisocial queer theory and psychoanalytic thought to object-oriented ontology and theories of melodrama) to unsettle many of ecocriticism’s foundational assumptions. In this interview, we unpack some of the core themes and organising principles of the book and discuss the nature of collaborative writing.

Jules O’Dwyer is Teaching Associate in Film Studies and French at the University of Cambridge.

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Manage episode 451604279 series 2421483
内容由Marshall Poe提供。所有播客内容(包括剧集、图形和播客描述)均由 Marshall Poe 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

In Negative Life: The Cinema of Extinction (Northwestern UP, 2024), Steven Swarbrick and Jean-Thomas Tremblay enact a dialogue between cinema, philosophy, and ecocriticism to tarry with the question of ecological catastrophe. Taking as one of their conceptual points of departure Freud’s writing on negation, the authors elaborate a concept of ‘negative life’ to contest current approaches to ecocriticism predicated upon ideas of entanglement, presence, and connection. In their book, Swarbrick and Tremblay engage critically with a broad body of films—including Kelly Reichardt, Julian Pölsler, Mahesh Mathai, and Paul Schrader—and a range of conceptual paradigms (from antisocial queer theory and psychoanalytic thought to object-oriented ontology and theories of melodrama) to unsettle many of ecocriticism’s foundational assumptions. In this interview, we unpack some of the core themes and organising principles of the book and discuss the nature of collaborative writing.

Jules O’Dwyer is Teaching Associate in Film Studies and French at the University of Cambridge.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

  continue reading

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