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内容由Sheffield DocFest and Sheffield Doc/Fest提供。所有播客内容(包括剧集、图形和播客描述)均由 Sheffield DocFest and Sheffield Doc/Fest 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
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Paul Greengrass in Conversation

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Manage episode 247047702 series 39729
内容由Sheffield DocFest and Sheffield Doc/Fest提供。所有播客内容(包括剧集、图形和播客描述)均由 Sheffield DocFest and Sheffield Doc/Fest 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Having cut his teeth on the investigative documentary strand World in Action, known for its forceful and unorthodox journalistic approach, Paul Greengrass has become one of the world’s most popular filmmakers. His films, which often explore real-world anxieties and confront both social and political issues, include 22 July, three of the Jason Bourne franchise, Captain Phillips, United 93 and Bloody Sunday. In conversation with journalist and broadcaster Danny Leigh at Doc/Fest 2019, Paul discusses his journey from TV documentaries in the UK to feature films in Hollywood, the evolution of his signature vérité-style, and his thoughts on the need to open up the film industry to less privileged and working class talent to ensure future creative diversity.

  continue reading

101集单集

Artwork
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Manage episode 247047702 series 39729
内容由Sheffield DocFest and Sheffield Doc/Fest提供。所有播客内容(包括剧集、图形和播客描述)均由 Sheffield DocFest and Sheffield Doc/Fest 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Having cut his teeth on the investigative documentary strand World in Action, known for its forceful and unorthodox journalistic approach, Paul Greengrass has become one of the world’s most popular filmmakers. His films, which often explore real-world anxieties and confront both social and political issues, include 22 July, three of the Jason Bourne franchise, Captain Phillips, United 93 and Bloody Sunday. In conversation with journalist and broadcaster Danny Leigh at Doc/Fest 2019, Paul discusses his journey from TV documentaries in the UK to feature films in Hollywood, the evolution of his signature vérité-style, and his thoughts on the need to open up the film industry to less privileged and working class talent to ensure future creative diversity.

  continue reading

101集单集

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