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How Playwright Annie Baker Made the Movie of the Summer

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Manage episode 425057354 series 1017988
内容由Pushkin Industries and iHeartPodcasts and Pushkin Industries提供。所有播客内容(包括剧集、图形和播客描述)均由 Pushkin Industries and iHeartPodcasts and Pushkin Industries 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Beloved playwright Annie Baker won the Pulitzer for Drama in 2014 for her play, The Flick. A decade later, she’s releasing her directorial debut, Janet Planet, through A24.

We begin by talking about her striking first feature (7:55): the Western Massachusetts origins of the project (11:00), the mother-daughter love story at its center (13:24), how Thomas Mann’s “The Magic Mountain” shaped Baker’s understanding of time (22:55), and why she’s routinely sidestepped the slippery-slope of “confessional” autobiography in her own work (30:30).

On the back-half, we discuss Annie’s early jobs in New York before she turned to the page and the classroom (40:00), the issues of class that continue to plague contemporary theater (45:00), a formative Rainer Maria Rilke poem as read by Sam (55:50), and whether she believes art “matters” in 2024 (1:00:18)

Thoughts or future guest ideas? Email us at sf@talkeasypod.com.

See omnystudio.com/listener for privacy information.

  continue reading

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Artwork
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Manage episode 425057354 series 1017988
内容由Pushkin Industries and iHeartPodcasts and Pushkin Industries提供。所有播客内容(包括剧集、图形和播客描述)均由 Pushkin Industries and iHeartPodcasts and Pushkin Industries 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Beloved playwright Annie Baker won the Pulitzer for Drama in 2014 for her play, The Flick. A decade later, she’s releasing her directorial debut, Janet Planet, through A24.

We begin by talking about her striking first feature (7:55): the Western Massachusetts origins of the project (11:00), the mother-daughter love story at its center (13:24), how Thomas Mann’s “The Magic Mountain” shaped Baker’s understanding of time (22:55), and why she’s routinely sidestepped the slippery-slope of “confessional” autobiography in her own work (30:30).

On the back-half, we discuss Annie’s early jobs in New York before she turned to the page and the classroom (40:00), the issues of class that continue to plague contemporary theater (45:00), a formative Rainer Maria Rilke poem as read by Sam (55:50), and whether she believes art “matters” in 2024 (1:00:18)

Thoughts or future guest ideas? Email us at sf@talkeasypod.com.

See omnystudio.com/listener for privacy information.

  continue reading

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