Artwork

内容由Ted Weinstein Literary Management提供。所有播客内容(包括剧集、图形和播客描述)均由 Ted Weinstein Literary Management 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal
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The Work of Art: Paulette Tavormina

 
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Manage episode 308995074 series 3024892
内容由Ted Weinstein Literary Management提供。所有播客内容(包括剧集、图形和播客描述)均由 Ted Weinstein Literary Management 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Paulette TavorminaTWOA logoA conversation with photographer Paulette Tavormina about her stunning, moody still lifes shot in the style of Old Master painters. She discussed learning the importance of authentic detail while making movie props (such as recreating Nixon’s resignation letter), why it can take as long as a week to stage a single photograph, the differences between painting and photographing the same scene, and the surprising satisfaction of social media as a venue to show her work.

Paulette began her career photographing works of art for a major auction house and working as a Hollywood food and prop stylist. Her own fine art photos have been shown across Europe and the United States, and her first solo museum show is this year at the Academy Art Museum in Maryland and travels to Notre Dame University’s Snite Museum of Art later this year. Her book of still life photographs, Seizing Beauty, was recently published by Monacelli Press.

Listen to the full interview:

If your browser does not support streaming, you can download the audio.
[download]

(Recorded June 21, 2016)

The complete series of conversations is available at The Work of Art. You can subscribe to future interview episodes via RSS, iTunes or email.

  continue reading

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Artwork
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Manage episode 308995074 series 3024892
内容由Ted Weinstein Literary Management提供。所有播客内容(包括剧集、图形和播客描述)均由 Ted Weinstein Literary Management 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

Paulette TavorminaTWOA logoA conversation with photographer Paulette Tavormina about her stunning, moody still lifes shot in the style of Old Master painters. She discussed learning the importance of authentic detail while making movie props (such as recreating Nixon’s resignation letter), why it can take as long as a week to stage a single photograph, the differences between painting and photographing the same scene, and the surprising satisfaction of social media as a venue to show her work.

Paulette began her career photographing works of art for a major auction house and working as a Hollywood food and prop stylist. Her own fine art photos have been shown across Europe and the United States, and her first solo museum show is this year at the Academy Art Museum in Maryland and travels to Notre Dame University’s Snite Museum of Art later this year. Her book of still life photographs, Seizing Beauty, was recently published by Monacelli Press.

Listen to the full interview:

If your browser does not support streaming, you can download the audio.
[download]

(Recorded June 21, 2016)

The complete series of conversations is available at The Work of Art. You can subscribe to future interview episodes via RSS, iTunes or email.

  continue reading

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