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Painting Mr. Pitt
Manage episode 367555198 series 3442900
内容由Stratford Hall Historic Preserve, Dr. Gordon Blaine Steffey, Director of Research, Stratford Hall Historic Preserve, Dr. Gordon Blaine Steffey, and Director of Research提供。所有播客内容（包括剧集、图形和播客描述）均由 Stratford Hall Historic Preserve, Dr. Gordon Blaine Steffey, Director of Research, Stratford Hall Historic Preserve, Dr. Gordon Blaine Steffey, and Director of Research 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品，您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
If you’ve visited Stratford Hall since 2016, you likely noticed the looming full-length portrait of British statesman WIlliam Pitt the elder in our parlor. Standing at 8 feet by 5 feet, it’s difficult to miss! That painting reproduces the original now hanging in the Westmoreland County Museum. From the hand of Maryland painter Charles Willson Peale, the original shipped from London and arrived at Chantilly, the home of Richard Henry Lee, on April 7, 1769. When Americans still had confidence in the normal political process of the British empire, they commemorated the efforts of British politicos who steered that process in ways sympathetic to the colonies. A painting, a statue, a town named or renamed–-these are among the ways colonists expressed gratitude and aligned themselves politically with power and influence being exercised overseas in Parliament. The Pitt portrait is a by-product of commemorative efforts in the late 1760s before Americans began to despair of substantive change. Ironically, Charles Willson Peale and William Pitt were neither the preferred artist nor the preferred subject for commemorative efforts by Westmoreland County movers and shakers. Tune in to Stratford Mail Episode 6: Painting Mr. Pitt to learn about what might have been, what was, and to learn about an exciting event coming to Stratford Hall on September 9, 2023!
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