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The Apocalyptic #2: Lost Everything by Brian Francis Slattery

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Manage episode 298982082 series 2965279
内容由Nicole Asquith提供。所有播客内容(包括剧集、图形和播客描述)均由 Nicole Asquith 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

In the second episode of my series on the apocalyptic, I talk to Brian Francis Slattery about his novel Lost Everything, which won the 2012 Philip K. Dick award.

The novel follows two friends on a mission up the Susquehanna River, in an apocalyptic not-too-distant future, in which climate change and civil war have transformed the Northeast of the United States into a tropical wasteland, replete with monkeys climbing over post-industrial ruins.

Slattery and I discuss the canoe trip he took along the Susquehanna with two biologist friends to research the book; his discussions with a religious friend that helped shape the novel, which he says he wrote so that it could yield both secular and religious readings; and his work as a journalist, which provided insight into the human and material costs of war.

We also compare notes on the apocalyptic in popular culture - why some people like it; what Slattery thinks is good (and isn’t) and the kind of mental and emotional work it faciliates.

  continue reading

63集单集

Artwork
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Manage episode 298982082 series 2965279
内容由Nicole Asquith提供。所有播客内容(包括剧集、图形和播客描述)均由 Nicole Asquith 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品,您可以按照此处概述的流程进行操作https://zh.player.fm/legal

In the second episode of my series on the apocalyptic, I talk to Brian Francis Slattery about his novel Lost Everything, which won the 2012 Philip K. Dick award.

The novel follows two friends on a mission up the Susquehanna River, in an apocalyptic not-too-distant future, in which climate change and civil war have transformed the Northeast of the United States into a tropical wasteland, replete with monkeys climbing over post-industrial ruins.

Slattery and I discuss the canoe trip he took along the Susquehanna with two biologist friends to research the book; his discussions with a religious friend that helped shape the novel, which he says he wrote so that it could yield both secular and religious readings; and his work as a journalist, which provided insight into the human and material costs of war.

We also compare notes on the apocalyptic in popular culture - why some people like it; what Slattery thinks is good (and isn’t) and the kind of mental and emotional work it faciliates.

  continue reading

63集单集

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