Her (2013)

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2+ y ago 2:47:57

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After some delays, we're back to talk about Spike Jonze' film "Her" from 2013! Shadon enjoyed this film back when it was released, but he wanted to revisit it now, almost a decade later, to see how it held up. We discuss the film's relevance in 2022, its core message about learning how to love others well, if anything about it would be made differently in 2022, its depiction of societal change in the wake of radical new technology, if the film sufficiently establishes Samantha's humanity, which app we'd like to fall in love with, and much more!

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Music:
Foreigner "I Want To Know What Love Is"
Michael Kelly "Calicomp 1.1 Shutdown"

Sources I Wanted To Read But Didn't:
Aleksić, Jana. “Defense of Humanity: Defense of Personality: Aesthetic Rethinking of the Concept of Body in the Film Her by Spike Jonze.” Kultura (Belgrade, Serbia), no. 167, 2020, pp. 266–87, https://doi.org/10.5937/kultura2067266A.
FLISFEDER, MATTHEW, and CLINT BURNHAM. “Love and Sex in the Age of Capitalist Realism: On Spike Jonze’s Her.” Cinema Journal, vol. 57, no. 1, Fall 2017, pp. 25–45. EBSCOhost, https://doi-org.bunchproxy.idm.oclc.org/10.1353/cj.2017.0054.
Jagoe, Eva-Lynn. “Depersonalized Intimacy: The Cases of Sherry Turkle and Spike Jonze.” English Studies in Canada, vol. 42, no. 1, Association of Canadian College and University Teachers of English, 2016, pp. 155–73, https://doi.org/10.1353/esc.2016.0004.
Jollimore, Troy. “‘This Endless Space between the Words’: The Limits of Love in Spike Jonze’s Her.” Midwest Studies In Philosophy (Wiley-Blackwell), vol. 39, no. 1, Sept. 2015, pp. 120–43. EBSCOhost, https://doi-org.bunchproxy.idm.oclc.org/10.1111/misp.12039.
KIYCI, Hale. “Spike Jonze’s Her: How Transhumanism Turns into a Control Mechanism under the Name of Love.” Journal of the Faculty of Letters, vol. 12, no. 23, Jan. 2022, pp. 121–38. EBSCOhost, https://doi-org.bunchproxy.idm.oclc.org/10.33207/trkede.954659.

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