In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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“Red One” Movie Review
Manage episode 450742174 series 10748
内容由Fat Guys Network提供。所有播客内容（包括剧集、图形和播客描述）均由 Fat Guys Network 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品，您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
Rated PG-13
Opens: November 15, 2024
Kevin says Red One kinda sucks!
With Christmas movies in full swing this year, it’s time for one about Santa on steroids.
RED ONE takes us to the North Pole where Santa Claus is kidnapped by an evil witch bent on punishing the naughty. It’s up to Santa’s bodyguard and a notorious criminal to save him and the holiday itself.
I get what they were thinking when they made this, which was to deliver a FAST & FURIOUS version of Christmas. But they’ve stripped out all the holiday cheer and replaced it with performative masculinity and enough testosterone to kill a bull elephant.
Dwayne Johnson and Chris Evans phone in their parts, cashing in on their blockbuster career highlights. And the script is loaded with Yuletide movie clichés – from the redemption of a deadbeat dad to the hyper-techno upgrades to Santa’s workshop – but none of it is presented in any coherent form.
There are a few decent moments – I’m looking at you, Krampus – but for a movie so focused on Christmas… there’s not much Christmas spirit in it.
RED ONE gets two roided-out candy canes out of five. I’m Kevin Carr, and that’s the way I see it.
Email the Show
Follow the show on Twitter (@FGATM)
Follow Kevin on Twitter (@kevincarr)
54集单集
分享
Manage episode 450742174 series 10748
内容由Fat Guys Network提供。所有播客内容（包括剧集、图形和播客描述）均由 Fat Guys Network 或其播客平台合作伙伴直接上传和提供。如果您认为有人在未经您许可的情况下使用您的受版权保护的作品，您可以按照此处概述的流程进行操作https://zh.player.fm/legal。
Rated PG-13
Opens: November 15, 2024
Kevin says Red One kinda sucks!
With Christmas movies in full swing this year, it’s time for one about Santa on steroids.
RED ONE takes us to the North Pole where Santa Claus is kidnapped by an evil witch bent on punishing the naughty. It’s up to Santa’s bodyguard and a notorious criminal to save him and the holiday itself.
I get what they were thinking when they made this, which was to deliver a FAST & FURIOUS version of Christmas. But they’ve stripped out all the holiday cheer and replaced it with performative masculinity and enough testosterone to kill a bull elephant.
Dwayne Johnson and Chris Evans phone in their parts, cashing in on their blockbuster career highlights. And the script is loaded with Yuletide movie clichés – from the redemption of a deadbeat dad to the hyper-techno upgrades to Santa’s workshop – but none of it is presented in any coherent form.
There are a few decent moments – I’m looking at you, Krampus – but for a movie so focused on Christmas… there’s not much Christmas spirit in it.
RED ONE gets two roided-out candy canes out of five. I’m Kevin Carr, and that’s the way I see it.
Email the Show
Follow the show on Twitter (@FGATM)
Follow Kevin on Twitter (@kevincarr)
54集单集
Minden epizód
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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